Catches the four-piece actively broadening what their band can be

The L.A. quartet expands its sound for its major-label debut, channeling post-adolescent anxiety into pop-punk inflected with new-wave, hardcore, and post-punk

Despite translating like a playlist instead of a cohesive record, it’s still fantastic to see The Linda Lindas embrace experimentation in this way

Gotta Get Out is an excellent progression of the Linda Lindas' sound, shimmering with promise for career longevity

The Linda Lindas are a force that keeps getting louder with Gotta Get Out

Buckle up, because they’re on their way to something big

The spirit of punk is still very much in safe hands

Overall, Gotta Get Out feels more like what used to be categorized as "alternative rock" - an unspecified amalgamation of anything that felt exciting and "other" in the 1990s - than the youthful, unfettered punk that marked their swift rise