Amos's most overt experiment with genre to date

It's messier, more draining and the clearest version yet of what Chat Pile do best: making unbearable music for an unbearable world hurtling toward the sun

Gotta Get Out is an excellent progression of the Linda Lindas' sound, shimmering with promise for career longevity

The songwriting is more winding than ever, and for fans of sonic whiplash, it's here in spades. Marrow Deep is largely a triumph, a fitting tribute to their fallen founding father — and to heavy metal itself

Hopefully, Thrasher is still able to give Flowers a renewed sense of purpose that he can then bring to his bandmates and finally make an eighth album worthy of the Killers' canon. If he got anything else out of it, you can only hope it was the subtle hint to not quit his day job

From musicianship to introspection, immersive production to well-timed political critiques, I Must Be Dreaming is the long-awaited Alabama Shakes follow-up fans have been dreaming of

Some might say Shaboozey's 10-gallon hat is half empty. Really, it's half full

If you squint (or, better yet, don't pay attention too closely), then the Gold Album can pass for classic Weezer

It takes a special kind of alchemy to transport listeners to an '80s film and the crucible of our universe in the same breath. And what is creation if not an absolute inferno?

This may be something different than what fans wanted or expected, but it's a project full of things that undoubtedly need to be said and heard

It feels presumptuous inserting my experience into criticism of work as deeply personal as Music, Fashion, Film, but if anyone would understand the necessity of self-reference, it would be Charli. Sometimes all we can know is how it makes us feel

Where Punisher felt apocalyptic with its closing suite "I Know the End" and a hearty dose of divine timing, Lost Weekend is a transmission from a hero's journey back to herself through a dystopian emotional landscape