After the more stripped-back, ballad-focused This Is How Tomorrow Moves, the Filipino-American amps up the guitars just a bit

On her fourth album, beabadoobee has taken some of the alternative influences that have always been present in her music and pushed them further

It celebrates Midwest emo's fiery, brooding, and ultimately empowering spirit so faithfully that it's well worth shouting along to

Beatrice Laus – alongside a sprawling collection of collaborators – delivers a musical reflection on loneliness and uncertainty

By the closing 'Satellite', she has an anthem to go with the arena dates

On her fourth album, Bea Laus attempts to juggle the multitudes of her mid-twenties in all their paralyzing glory and emerges with the best effort of her career thus far

Beabadoobee’s latest offering has appeal, but that’s only if you prefer to take your rock music highly manufactured

Struggles to live up to her strengths

Laus circles the dynamics of her electrifying debut Fake It Flowers, but never quite recaptures its precise power. Print edition only

Members of Turnstile, Deftones, Paramore, and Pinegrove push Bea Kristi toward slightly grungier, angstier territory on her fourth album

Another stellar record. Print edition only

The Dirty Hit signee embraces uncertainty on a rawer, more forceful fourth album

On her excellent fourth album, the young star pumps all her doubts and fears into righteous guitar noise

This is where she came from, this is what shaped her, and she’s the one at the helm

The Filipino-British songwriter’s fourth album sprinkles 90s alt fuzz with disarmingly sweet melodies and an impressive host of guests including Paramore’s Hayley Williams and Turnstile’s Brendan Yates

Beatrice Laus comes full circle on her fourth album, a return to the soaring pop-punk of her early days and her most consistent release to date

Pylon is a powerful marker — a sign of how possible it is to make music that's as filled with unselfconscious pop catharsis as it is with ragged, irreplaceable soul